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Abstract Surface

Selected List of Works

For all inquiries, please contact linghuijuan@hotmail.com, or use the contact form.

* Indicates sheet music available for purchase. For those without a star next to it, ask me anyway if interested.

Solo Works

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Awakening (2021), for solo piano, 3’30”, Commissioned by Kris Rucinski

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* Yakusugi Image (2021), for piano and electronics, 6’48, Written for Kevin Der

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* The below is as the above, And the above as the below (2020), for solo violoncello, 7’40", Written for Ashley Walters

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* Little Path to Summer (2020), for solo piano, 9’, Commissioned by Jixue Yang

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* Diagonal Swing (2019), for solo violin, 6’, Written for Kate Dreyfuss

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* Shades of E (2019), for solo piano, 7’, Written for Gloria Cheng

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* Those Cold Winter Rains (2019), for harpsichord, 6’. Composition won third prize in SIMM 2019 harpsichord composition contest

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* Overlooking View (2016, 2018 ed.), for solo piano, 9'. Commissioned by Julan Wang.

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浪淘沙 Lang Tao Sha (2016), for soprano and live electronics, 6’. Written for Mengchun Yang, Collaborated with Zhixin Xu.

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Chamber Works

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The Poetics (2022-23), for flute, saxophone, two percussionists, two pianists, and string quartet, ca. 30’—in progress

  • Available movements: * Around G, * Gently Morphed, * Arcs.

  • Around G instrumentation: flute, soprano saxophone, percussion, piano (duration: ca. 5').

  • Gently Morphed instrumentation: flute, alto saxophone, two percussion, two piano, violin, cello.

  • Arcs uses the full instrumentation.

    • Gently Morphed and Arcs can be played attacca (duration: ca. 10'30").​

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* Ondulation (2021), for string quartet, 9'. Commissioned by Ciompi Quartet.

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* Toward a Convergence (2021), for two percussionists and two pianists, 6’33”. Written for 2021 Yarn/Wire International Institute.

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* Two Elastically Centered Canons (2021), for flute and soprano saxophone, 7’. Written for Carla Copeland-Burns and Susan Fancher.

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* Stranding, Whalefall (2020), for flute, violin, violoncello, percussion, and piano, 8'. Commissioned by Weekend of Chamber Music.

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* Toward a Rediscovery (2020, 12'; 2022 ed., 8'), for woodwind quintet. Written for Imani Winds.

  • Both versions' scores and parts are available.

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* scenes that lie outside time and place (2020), for two melodicas and two toy pianos, 4’30”

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* Wobbly Wobbly Wobbly (2019), for melodica, violoncello, piano, and percussion, 5’

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* It’s Faraway (2019), for oboe, violoncello, harpsichord, and percussion, 2019, 7’

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* Remaining Sense (2019), for string quartet, 16’. Written for JACK Quartet.

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* The Plasma that Sparks the Fire, The Liquid that Brings the Hurricane (2018), for percussion trio, 8’30”. Written for Line Upon Line Percussion.

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Chaconne Miniatures (2017), for flute, violoncello, and harpsichord, 7’

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* Shadow Phase (2016), for saxophone and drum sets, 7’30”. Commissioned by Patchwork Duo.

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Septa Thresholds (2016), for melodica and string quartet, 18’

Edited in 2017, Five Thresholds, for melodica and string quartet, 11’

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Orchestral Works

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* Silence in Between (2020), for orchestra, 11'

  • 3[picc]3[Eh]22, 4331, timpani, 2 percussion, piano, harp, and strings

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…Toward… (2015) for orchestra, 7’

  • 3[picc]3[Eh]3[B.Cl]3[C.Bsn], 4331, timpani, 3 percussion, piano, harp, and strings

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空境 Aero (2014), for erhu and orchestra

  • 2222, 4231, timpani, 4 percussion, erhu solo, and strings

© 2024 by Huijuan Ling

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